Heritage

News, articles and Essays on Sanatana Dharma, Hinduism and Indian way of life.

Lord Shiva’s Daughters

Lord Shiva had three sons and three daughters. Shiva’s three daughters are worshipped even today in different parts around the world in different forms. His three sons were Kartikeya, Ganesha and Ayyappa. Lord Shiva’s three daughters were Ashok Sundari, Manasa, Jyothi and Ekaveera devi.

Rishi Marichi -Applied Indology

Rishi Marichi or Mareechi or Marichi literally means a ray of light from either the moon or the sun, and Marichi is the chief of the Maruts (‘the shining ones’). He is the Manasaputra of the cosmic creator Bramhma, who created Marichi from the eyes; he is one of the Nine Brahmaṇas alluded to in the puraṇas.

Krishna and Balarama – Applied Indology

One of the twelve enchanting principal forests of Vraja that is being recreated with the vast greens around the Vrindavan Chandrodaya Mandir at Krishna Bhumi is the forest of Talavana. The forest gets its name from the ‘Tala’ or Palm trees that grew in abundance in this specific part of Vrindavana. Situated about six miles south of Mathura and two and half miles south-west of Madhuvana is the forest of Talavana.

Karthikeya / Muruga – Applied Indology

There have been at least three Avvaiyars at various periods of Tamil history. The earliest Avvaiyar is believed to have lived in the Sangam period and her poems are found in the Purananuru, Kurunthogai and Natrinai. The second Avvaiyar lived in the 12th Century and was a contemporary of Kambar. Many poems and the Avvai Kural, comprising 310 kurals in 31 chapters, belong to this period. The third Avvaiyar is the most widely known for her ‘Vinayagar Agaval’ ,‘Aathi Soodi’, ‘Kondrai Vendhan’, ‘Nalvazhi’ and ‘Moodhurai’.

Dakshinamurthy – Applied Indology

In every Shiva temple the stone image of Dakshinamurthy is installed, facing south, on the southern circumambulatory path around the sanctum sanctorum. He sits under the auspicious vata vruksha facing the south direction to give knowledge. The Daksinamurti Upanisad, which is in a dialogue format between Savanaka Rishis and Markandeya, gives a clear imagery and salient features of Daksinamurthy.